Home

poster

Last week i was delighted to find myself with an invite to the launch of a new exhibition at No.1 Royal Crescent, Bath, curated by historian Hallie Rubenhold. Without wanting to give away all of its secrets, here is a little sneak preview…

The exhibition inhabits two modest rooms in this lovely Georgian town house (which itself ought to be fully explored) and opens in impressively dramatic fashion, casting light not only on Georgian women but also on popular attitudes towards them through an extraordinary collection of mezzotint portraits. In a nod towards the print shop windows of the Georgian era, the prints range from the bawdy to the (almost) respectable, and place duchesses, demi-reps and half-naked dairymaids side by side. In the eighteenth century, all women trod the fine line between vice and virtue and the slightest slip could be fatal to the feminine reputation – a fact that no doubt fascinated and titillated many a male observer.

head2

For the eighteenth-century enthusiast, some familiar names are bound to be a draw, including the Duchess of Devonshire, Emma Hamilton, and the thigh-flashing, banknote-eating courtesan Kitty Fisher (who died in Bath while still in her twenties). But the great charm of this exhibition is that we are also introduced to women who enchanted Georgian society but are now forgotten, and to pretty but nameless servants who may only have had the opportunity to enchant the man who immortalized them in print.

AN01376391_001_l

 ‘The Housewife’s Employment’, c.1750
More than a little reminiscent of a certain Eurovision entry… Some male tastes never change

***

AN00167907_001_l

Singer & actress Harriet Powell (1770), whose fame has entirely faded

***

AN00387863_001_l

The almost irrepressibly smiley Emma, Lady Hamilton, here depicted as ‘Nature’ (c.1802)

***

AN00650398_001_l

 Frances, Countess of Essex (1757)

***

 Accompanying this introduction to the world of eighteenth-century print culture is a scattering of displays exploring various aspects of women’s lives in the Georgian era, including beauty and fashion, leisure activities and household duties. Drawing from the collection of No.1 Royal Crescent and others, for me some of the stand-out objects were a beautiful (and tiny) royal wedding shoe, a wig powder bellows and a miniscule ‘dance programme’ dating to around 1780 – used by a lady wishing to record the gentlemen with whom she intended to dance.

danc

Dance programme, c.1780

But there is much more to see – I heartily recommend that you go and find your own favourites because no pictures can substitute for seeing the objects firsthand. And let’s face it – any exhibition boldly opening with a display outlining the eighteenth-century ‘Gradations of Whores’ is clearly going to be a winner.

grad
Perhaps it’s not so good to be considered a ‘good-natured girl’ after all….

*****

Visit the exhibition:

 Portrait of a Lady? Ruin & Reputation in the Georgian era
No. 1 Royal Crescent, Bath

16 May – 14 December 2014

*****

[ps. You can also find my books ‘The Georgian Bawdyhouse’ and ‘Mr Darcy’s Guide to Courtship’ in the shop downstairs , just in case you were suddenly overcome with a desire to purchase something. Cough.]

Advertisements

9 thoughts on “Exhibition: Ruin & Reputation in the Georgian Era

    • Many thanks on both counts! Should be fixed now. Glad you enjoyed the post, it’s a fab exhibition. E

  1. Thanks for the heads up. I must get over there. I hope to find out more about the dance programme. I’ve never seen a dance card.earlier than the 1820s, but perhaps this is a personal memo for a lady.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s